VANCOUVER, BC — WORLDWIDE SERVICE.

Precision cable cam
systems for the shot
no other rig can get.

Inspired by the fast-and-light ethos of modern alpinism, Sea To Sky Cable Cam reimagines cable cam systems to be portable, powerful and adaptable. Designed for rapid deployment and rigged by elite climbers from Canada's renowned Sea to Sky region, our systems go where crews can't reach. Engineered with Vancouver's leading talent in winch systems, electronics and software for live broadcast, cinema and VR.

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No Noise.
No Rotor Wash.
No Drift.

All-weather and extremely safe over the public.

Precise.
Repeatable.
Reliable.

Consistently getting the shot — again and again — until talent gets it right.

Designed by Climbers.
Built by Engineers.

Light, fast and deployable anywhere — from horizon-reaching horizontal spans to dizzying vertical lifts.

No complex rigs that take days to set up — just modern, streamlined systems that travel as excess luggage or hike or fly into the mountains, making high-end camera movement accessible to more productions.

// 01 CAPABILITIES

One team. Every problem.

We don't hand you a catalog and ask which one fits. Horizontal, vertical, three dimensional — our systems reconfigure to the terrain, the payload and the shot. And if what a production needs doesn't exist yet, we design and build it.

01 / REACH

1D Horizontal and Vertical

Simple and affordable options that can have long spans across a stadium roof, or a vertical run down a rock face.

02 / CONTROL

2D & 3D

Eagle Eye 250 – The world's lightest cable cam winches. Available with 1–4 programmable, repeatable winches for complex shots. Operates on 120V 1Φ or 208V 3Φ with a flight envelope up to 85m × 85m × 9m. Payload 18 kg. Fast 2-4 hour deployment. Reality TV proven (recently on Mr. Beast - Beast Games.) Be the first to take this kit deep into the mountains and dream big!

03 / PAYLOAD

1D up to 90kg, 2D/3D 18kg

1D systems can handle full cinema packages up to the largest VR rigs. Our multi winch systems fly most camera packages when trimmed down.

04 / CUSTOM BUILDS

Built to Order

If the shot calls for a system that doesn't exist yet, we design and engineer it from the ground up.

Vans US Open of Surfing

Chicago - Skyscraper Live with Nik Wallenda

TED TALKS, CUSTOM BUILD, 4 YEARS RUNNING

Hard to Reach Camera Work

Chris Sharma - Old Growth Redwoods

Diljit Dosanjh Concert - BC Place Stadium

Built from decades of experience in demanding RF environments, we understand that reliability comes from simplicity. We integrate and refine third-party RF technologies into streamlined systems that remove unnecessary complexity, minimize failure points, and deliver dependable performance for broadcast and cinema productions. For the most demanding applications we move to fiber optic cable.

// 02 GO ANYWHERE

Born from climbing. Engineered to go where nothing else can.

Founder Matt Maddaloni was a professional rock climber before he built camera systems — sponsored since 1999, with first ascents across the Himalayas, the Canadian Rockies, the Coast Range and the Arctic. He even invented the Anticam, a purpose-built piece of protection for a climb on Squamish's Grand Wall that no existing gear could hold. That fast-and-light alpinist mindset shapes every system we design — able to travel as excess luggage, hike or heli to a mountain summit, or get hauled up a 600m rock face.

On set, that background carries union credentials to match: IATSE Local 669 (Camera) and Local 815 (Grip), with camera department credits on productions including Cold Pursuit, Altered Carbon and The Flash. Our crew are riggers, climbers and camera operators in one — it's why productions call us in when nobody else can get the shot.

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PAYLOAD

Up to 90kg

SPAN

Up to 450m

SYSTEMS

1D, 2D & 3D

POWER

Battery Powered, 120V 1 Phase or 208V 3 Phase

// 03 CASE STUDIES

Built for the shot no other system could get.

BORNEO JUNGLE

Apple Immersive - Orangutans

Filming orang-utans with the Apple Vision Pro VR camera required seven unique setups, six of which made the final film. A standout shot was a continuous 1 minute 14 second vertical ascent, following a mother and baby climbing a 45-metre vine. Director: Sarah Barker, DP: Austin Novy.

WHISTLER OLD GROWTH FOREST

Netflix - Keep Breathing

Crew needed cable cam positions rigged in real time, chosen by the director on the spot. By end of the first day we'd deployed four completely different rigs in four separate locations — none of them pre-selected. The final episode's climax moment was one continuous 38 second cable cam shot. Director: Maggie Kiley, Rebecca Rodriguez, DP: Alicia Robbins, Jon Joffin.

MEDITERRANEAN SEA

Apple Immersive - Adventure

Climbing over the ocean with no rope, Kia Lightner makes a risky free-solo ascent on Cova del Diablo along the craggy seaside cliffs of Mallorca, Spain. Director: Dionne Bromfield, DP: JR Racine.

WEST VIRGINIA

Under Water

The camera begins underwater as a girl releases a trout, then rises through the surface and climbs at a 45-degree angle to reveal her sister and father fishing in the background before transitioning with a wipe across the cliff face. West Virginia Tourism. Director: Renan Ozturk, Eric Crosland, DP: Renan Ozturk.

// 04 THE TEAM

Built by people who've done the hard part first.

Matt Maddaloni

Founder & Creative Director

A background in sound recording, cinematography and advanced rigging, plus IATSE membership across remote head operation, sound, grip and special effects. Originally a professional rock climber, Matt developed his approach to filmmaking in extreme environments — pushing what's creatively possible.

Denham Trollip

Lead Engineer & Systems Designer

Designs, programs and builds the technology behind every shot. Hands-on experience in the stunt industry shapes his approach — engineering equipment that performs reliably under load, across distance, and in high-pressure environments.

Chris "Fish" Boulton

Lead Operator & Safety Specialist

Over 20 years as a cable cam technician, rigging grip and safety specialist, with rope access and rescue training from two decades at Whistler Fire Rescue Services and Whistler Blackcomb Ski Patrol. Leads on-site rigging and operation, calm and solutions-focused.

Derek Heidt

Lead Remote Head Operator and Camera Tech

A camera operator and specialized remote head technician known for executing highly complex action sequences. A former 1998 Canadian Winter Olympian in snowboarding, he transitioned his high-speed, extreme sports background into an industry-leading career in technical camera operations. He is the founder, owner and operator of Revered Cinema (RVRD), a premium Canadian-based specialty camera company that designs and builds custom heavy-lift FPV drones, cable cams, tracking rigs and vehicle tracking systems for major Hollywood blockbusters.

// 05 PARTNERS

Who we trust.

We build the cable systems. For everything else on set, these are the people we trust to show up with the right gear and get it working.

PARTNER 01

Revered Cinema

Our one-stop camera shop and first call for remote heads, cameras, lenses and the custom RF architecture behind our rigs. Western Canada's Filmotechnic Flight Head supplier.

rvrd.com

PARTNER 02

Remote Ropes

Our safety-at-height partner. When a production calls for IRATA Level 3 certification and full accountability for rope access protocols, Remote Ropes is who we bring in.

remoteropes.com

PARTNER 03

Tricked Out Pictures

We partner with Tricked Out Pictures in the East to provide nationwide cable cam coverage. By sharing equipment, knowledge, and technical expertise, we ensure consistent service and capability from coast to coast.

trickedout.ca

Precision cable camsystems for the shotno other rig can get.

No Noise.No Rotor Wash.No Drift.

Precise.Repeatable.Reliable.

Designed by Climbers.Built by Engineers.